The 5 Worst Monsters of the 1970s Horror Film
via The 5 Worst Monsters of the 1970s Horror Film – Flashbak
May as well end the month on a “list.” This time, it’s the 5 worst monsters of the 1970s…in horror. It’s from the folks at Flashbak, so you know it’s good. Enjoy, and make sure you watch the best worst movie you can think of this weekend. It’s been a pretty fun ride, but if I ever do this again, I will try to talk myself out of it. Blogging is harder than I thought! 😉 But it was fun to add to my bad movie repertoire, and I may do it for the various Halloween blogathons that dot the interwebs. To quote one of the movies listed above, “Well…”
via Ed Wood: Not Actually The Worst Director in History | Den of Geek
How did Ed Wood get the title of “World’s Worst Director?” (Then again, we’d also have to ask how William “One Shot” Beaudine was at least the runner-up, even though he was once a highly regarded director.) Of course, we can put most of the blame on the doorstep of the Medveds, who deemed Ed “the worst” with their Golden Turkey tome. I can only imagine that they hadn’t seen very many movies from the period they were in, because NONE of the Dolomite movies made the cut, but Trouble Man did?! Why not just throw Super Fly and Shaft in there too, since we’re complaining about blaxploitation films with kick-ass soundtracks…
Anyhoo, where was I going with this? Oh, that Ed Wood wasn’t the world’s worst director–far from it. I can name at least THREE worse directors off the top of my head: Bill Rebane/Herschell Gordon Lewis (Monster-A-Go-Go/Terror at Half Day); Larry Buchanan (Zontar: The Thing From Venus); Coleman Francis (all three of his films); Doris Wishman (Double Agent 73, Let Me Die a Woman); Ted V. Mikels (The Girl in Gold Boots, The Doll Squad)…the list is literally endless!
I think the problem lies with Ed Wood’s films being better than “so bad they’re good.” There’s something about Wood’s films, even the cringetastic Orgy of the Dead and The Revenge of Dr. X that makes them watchable. You’re not yelling at the screen at the stupidity of the writing. (The CLUNKINESS, maybe, but not the stupidity!)
Anyhoo, take a look around the site and enjoy the Den of Geek!
via Mr. No Legs – 1979 – Review
If you have lots of free time on your hands, take a look at the wonderful time-wasting site The Worst Movies Ever Made. Now, “worst” is in the eye of the beholder, but holy gee whiz…this one’s bad. Not even the ever-present John Agar or Richard Jaeckel can help this turkey. And when you finally get to see the title character, look out!
Hagsploitation: a term that I possibly just thought up or I stole it from someone else (but can’t remember who it was). Either way, it’s a term that usually brings to mind actresses “of a certain age,” like Joan Crawford, Bette Davis, Shelley Winters or even Debbie Reynolds (when she and Winters starred in What’s the Matter With Helen, she was all of 38 years old!)
However, hagsploitation wasn’t just for women—any time you saw an old vaudevillian like George Jessel in Won Ton Ton, the Dog Who Saved Hollywood, it was hagsploitation. Sure, it was said to be a cameo, but come on, we know what it was, and it was hagsploitation, pure and simple.
Now this may sound like I’m knocking older actors for appearing in films long past their “prime.” Come on—I’m a Stooge fan that wanted to see Howard, Sitka and DeRita in Blazing Stewardesses—I can hardly be called anti-hag! Interestingly, it was director Al Adamson’s leitmotif—giving older actors a chance to get in front of new audiences. Whether or not the vehicles used for that chance were any good or not…well, work is work!
Enjoy these sites and their reviews of hagsploitation films!
What’s the Matter With Helen? (1971) from Dreams Are What Le Cinema Is For… it’s got repressed lesbianism, murderous sons, and religious fundamentalism.
Blazing Stewardesses (1975) from DVD Drive-In…
Last but not least, Won Ton Ton, the Dog Who Saved Hollywood (1976), from The Aisle Seat…
via Larry Buchanan | THE URANIUM CAFE
How ’bout a bit o’ the Irish with a look at Larry Buchanan? No bad movie blog can ignore the self-proclaimed Schlockmeister of Texas. With established stars like John “How did I get myself into this mess?” Agar and Tommy “Damn Disney–where was their LGBTQ love when I needed it?” Kirk.
No doubt about it—none of Buchanan’s films were any good. A few fell into the “so bad they’re good” category (Zontar—the Thing From Venus and Mars Needs Women), but the others (It’s Alive) comes to mind as being so bad that you end up hate watching them just for spite.
Take a gander at what The Uranium Café has to say about Der Schlockmeister and his movies!
via The Wonderful and the Obscure
Now that I have your attention, I’d like to share with you a wonderful site that I’ve just found: The Wonderful and the Obscure. If you want to know more about what the music version of the b movie is, well…here you go!
Apparently, I’ve lost ANOTHER day somewhere (Day 15 is missing, just like Bunny Lake!) So, without further ado, here’s what SHOULD’VE been featured…Angel, Angel Down We Go (aka Cult of the Damned). You’ve got Jennifer Jones, Roddy McDowall, Lou Rawls, Holly Near, and most importantly, Joe Besser in a cameo as a tour bus driver.
via Cult of the Damned (1969) – Journeys in Classic Film