I know, I know…yet another day without the Flesh Feast review. But I have a good excuse! I’ve been bingeing on this new blog I found, and I think I’ve found another (yes, ANOTHER!) influence on how/where/what I want Six Degrees of Stoogeration to be. Ironically, the subject is Joan Crawford, who the Stooges (then known as Ted Healy and His Stooges) shared the screen with in Dancing Lady (1933). The subject is the camp classic Mommie Dearest (1981), which I vaguely remember being in the theatres. At least I remember all the jokes comedians made.
Years later, I saw the film on TV and I didn’t get what the deal was. I knew OF Joan Crawford, and what I knew, didn’t seem that much different than what was on the screen. Faye Dunaway’s performance didn’t seem to warrant the brickbats the Razzie folks were raining upon her. I mean, look at the damn woman in any film past 1950. You can’t NOT imagine that that’s a drag queen. Go ahead, I dare you! I’ve seen Dancing Lady multiple times, and I cannot reconcile the Joan Crawford I see there with the Joan Crawford of 1967’s Berserk! It’s not just age–in fact, age doesn’t even enter into it. Bette Davis aged in Stooge Years ™, yet didn’t quite seem to be the garish whirlwind of WTF?! that Crawford was. Everything seemed so EXAGGERATED. The eyebrows. The hair, oh sweet Jesus THE HAIR! If Elizabeth Taylor could keep her hair dark most of her life, why in the world did Joan, er, Miss Crawford, scald our eyeballs with such monstrosities as that “Old Lady Red” deal she had in Trog (1970)? WHO THOUGHT THAT THAT WAS A GOOD IDEA?!
Now, what was I talking about? Oh, Mommie Dearest and the fact that it seems more true than not…at least with Miss Crawford’s larger than life personality. Maybe it’s just me, but there was a lot in the film that rang true. Joan did seem like she would say “Don’t f*** with me fellas!”
Let me get back to the subject of this blog–it’s more than your snarky run down of Z movies…it’s that, but it’s more–it’s a personal insight on what makes movies tick for him, it’s essays that “spoil” the movie (which I love), and the comments! Oh, the comments! Such comments I’ve not seen since the olden days of the internet/sitting around with my piano teacher! Knowledgeable folks who’ve often rubbed shoulders with the subject/stars of the film, it’s hard not to get lost in reading the comments and fall down the YouTube/Google hole of finding out more.
I’ve rambled long enough (when I could’ve been writing about Veronica Lake and FloridaNazispoitation!)
Ken Anderson’s http://lecinemadreams.blogspot.com! You won’t regret it!