I first heard about DeRita’s death as I was going to the kitchen to top off my diet Coke–just by pure coincidence, the CBS News was announcing it right as the Stooges were between shorts (Idiot’s DeLuxe, if I’m not mistaken.) The only Stooge left was The Man Who Would Be Stooge, Emil Sitka…and I count him as a Stooge (don’t @ me, folks!)
Of course, I’m a bit late with this, but better late than never (oh, and those that think he was the worst Stooge? Why was Larry able to convince Moe to hire him AND hire him at an equal salary?)
How did Ed Wood get the title of “World’s Worst Director?” (Then again, we’d also have to ask how William “One Shot” Beaudine was at least the runner-up, even though he was once a highly regarded director.) Of course, we can put most of the blame on the doorstep of the Medveds, who deemed Ed “the worst” with their Golden Turkey tome. I can only imagine that they hadn’t seen very many movies from the period they were in, because NONE of the Dolomite movies made the cut, but Trouble Man did?! Why not just throw Super Fly and Shaft in there too, since we’re complaining about blaxploitation films with kick-ass soundtracks…
Anyhoo, where was I going with this? Oh, that Ed Wood wasn’t the world’s worst director–far from it. I can name at least THREE worse directors off the top of my head: Bill Rebane/Herschell Gordon Lewis (Monster-A-Go-Go/Terror at Half Day); Larry Buchanan (Zontar: The Thing From Venus); Coleman Francis (all three of his films); Doris Wishman (Double Agent 73, Let Me Die a Woman); Ted V. Mikels (The Girl in Gold Boots, The Doll Squad)…the list is literally endless!
I think the problem lies with Ed Wood’s films being better than “so bad they’re good.” There’s something about Wood’s films, even the cringetastic Orgy of the Dead and The Revenge of Dr. X that makes them watchable. You’re not yelling at the screen at the stupidity of the writing. (The CLUNKINESS, maybe, but not the stupidity!)
Anyhoo, take a look around the site and enjoy the Den of Geek!
Hagsploitation: a term that I possibly just thought up or I stole it from someone else (but can’t remember who it was). Either way, it’s a term that usually brings to mind actresses “of a certain age,” like Joan Crawford, Bette Davis, Shelley Winters or even Debbie Reynolds (when she and Winters starred in What’s the Matter With Helen, she was all of 38 years old!)
However, hagsploitation wasn’t just for women—any time you saw an old vaudevillian like George Jessel in Won Ton Ton, the Dog Who Saved Hollywood, it was hagsploitation. Sure, it was said to be a cameo, but come on, we know what it was, and it was hagsploitation, pure and simple.
Now this may sound like I’m knocking older actors for appearing in films long past their “prime.” Come on—I’m a Stooge fan that wanted to see Howard, Sitka and DeRita in Blazing Stewardesses—I can hardly be called anti-hag! Interestingly, it was director Al Adamson’s leitmotif—giving older actors a chance to get in front of new audiences. Whether or not the vehicles used for that chance were any good or not…well, work is work!
Enjoy these sites and their reviews of hagsploitation films!
What’s the Matter With Helen? (1971) from Dreams Are What Le Cinema Is For… it’s got repressed lesbianism, murderous sons, and religious fundamentalism.
Blazing Stewardesses (1975) from DVD Drive-In…
Last but not least, Won Ton Ton, the Dog Who Saved Hollywood (1976), from The Aisle Seat…
Well, how ’bout that?! Apparently, I skipped over day 10 in my “writings.” Meh, I’ll just kill two birds with one stone…but how? What two things can I cover in less than a thousand words that would cover my love of all things 1970s and the last films of famous folks?
Did someone ask for Doctor Death, Seeker of Souls? If you didn’t, too bad! There are no degrees of stoogeration here, because there’s an actual Stooge in it–one Moe Howard (credited as the man in the audience/volunteer). I’ve heard his cameo described as a dirty old man, but the man had been in vaudeville/burlesque! Who wouldn’t be a dirty old man (or woman) after that?! After you read about Doctor Death, check out all the other cool stuff at
The Last Drive In!
I guess this is Day 12–did I post anything for yesterday (or Saturday? Better check that out…)
Anyhoo, here’s a look at the main reason why I’m even DOING this type of thing, one Doris Wishman. Her movies aren’t just movies…they’re experiences. Take a good look at Deadly Weapons or Double Agent 73, her double feature starring actress Chesty Morgan. They have to be seen to be believed, and you WILL NOT get the soundtracks out of your head. Seriously, I can run through the soundtracks of both films in my head, beat for beat!
How does this relate to Six Degrees of Stoogeration? Come on–there’s got to be a link somewhere! Anyhoo redux, take a look around the site, it’s got plenty of great info, not just about Ms. Wishman, but much, much more!
I know, I know…yet another day without the Flesh Feast review. But I have a good excuse! I’ve been bingeing on this new blog I found, and I think I’ve found another (yes, ANOTHER!) influence on how/where/what I want Six Degrees of Stoogeration to be. Ironically, the subject is Joan Crawford, who the Stooges (then known as Ted Healy and His Stooges) shared the screen with in Dancing Lady (1933). The subject is the camp classic Mommie Dearest (1981), which I vaguely remember being in the theatres. At least I remember all the jokes comedians made.
Years later, I saw the film on TV and I didn’t get what the deal was. I knew OF Joan Crawford, and what I knew, didn’t seem that much different than what was on the screen. Faye Dunaway’s performance didn’t seem to warrant the brickbats the Razzie folks were raining upon her. I mean, look at the damn woman in any film past 1950. You can’t NOT imagine that that’s a drag queen. Go ahead, I dare you! I’ve seen Dancing Lady multiple times, and I cannot reconcile the Joan Crawford I see there with the Joan Crawford of 1967’s Berserk! It’s not just age–in fact, age doesn’t even enter into it. Bette Davis aged in Stooge Years ™, yet didn’t quite seem to be the garish whirlwind of WTF?! that Crawford was. Everything seemed so EXAGGERATED. The eyebrows. The hair, oh sweet Jesus THE HAIR! If Elizabeth Taylor could keep her hair dark most of her life, why in the world did Joan, er, Miss Crawford, scald our eyeballs with such monstrosities as that “Old Lady Red” deal she had in Trog (1970)? WHO THOUGHT THAT THAT WAS A GOOD IDEA?!
Now, what was I talking about? Oh, Mommie Dearest and the fact that it seems more true than not…at least with Miss Crawford’s larger than life personality. Maybe it’s just me, but there was a lot in the film that rang true. Joan did seem like she would say “Don’t f*** with me fellas!”
Let me get back to the subject of this blog–it’s more than your snarky run down of Z movies…it’s that, but it’s more–it’s a personal insight on what makes movies tick for him, it’s essays that “spoil” the movie (which I love), and the comments! Oh, the comments! Such comments I’ve not seen since the olden days of the internet/sitting around with my piano teacher! Knowledgeable folks who’ve often rubbed shoulders with the subject/stars of the film, it’s hard not to get lost in reading the comments and fall down the YouTube/Google hole of finding out more.
I’ve rambled long enough (when I could’ve been writing about Veronica Lake and FloridaNazispoitation!)
Ken Anderson’s http://lecinemadreams.blogspot.com! You won’t regret it!
For some strange reason, I had an urge to watch You Nazty Spy! last night. Who knows what could’ve drawn me to that particular short (in which an incompetent boob is chosen to run a country) last night of all nights. Call it intuition, if you will.
That’s all I have to say. Oh, there’s this wonderful quote:
(Moe) Hailstone: “What does a dictator do?”
Ixnay: “A dictator? Why, he makes love to beautiful women, drinks champagne, enjoys life and never works. He makes speeches to the people, promising them plenty, gives them nothing, then takes everything! That‘s a dictator!”
(Curly) Pebble: “Hmmm! A parasite! That’s for me!”